Such are the visions which proffer great cornucopias full of fruit to the solitary traveller, or murmur in his ear like sirens lolloping away on the green sea waves, or are dashed in his face like bunches of roses, or rise to the surface like pale faces which fishermen flounder through floods to embrace.

Such are the visions which ceaselessly float up, pace beside, put their faces in front of, the actual thing; often overpowering the solitary traveller and taking away from him the sense of the earth, the wish to return, and giving him for substitute a general peace, as if (so he thinks as he advances down the forest ride) all this fever of living were simplicity itself; and myriads of things merged in one thing; and this figure, figure made of sky and branches as it is, had risen from the troubled sea (he is elderly, past fifty now) as a shape might be sucked up out of the waves to shower down from her magnificent hands compassion, comprehension, absolution. So, he thinks, may I never go back to the lamplight; to the sitting-room; never finish my book; never knock out my pipe; never ring for Mrs. Turner to clear away; rather let me walk straight on to this great figure, who will, with a toss of her head, mount me on her streamers and let me blow to nothingness with the rest.

Such are the visions. The solitary traveller is soon beyond the wood; and there, coming to the door with shaded eyes, possibly to look for his his return, with hands raised, with white apron blowing, is an elderly woman who seems (so powerful is this infirmity) to seek, over a desert, a lost son; to search for a rider destroyed; to be the figure of the mother whose sons have been killed in the battles of the world. So, as the solitary traveller advances down the village street where the women stand knitting and the men dig in the garden, the evening seems ominous; the figures still; as if some august fate, known to them, awaited without fear, were about to sweep them into complete annihilation.

Indoors among ordinary things, the cupboard, the table, the window-sill with its geraniums, suddenly the outline of the landlady, bending to remove the cloth, becomes soft with light, an adorable emblem emblem which only the recollection of cold human contacts forbids us to embrace. She takes the marmalade; she shuts it in the cupboard.

“There is nothing more to-night, sir?”

But to whom does the solitary traveller make reply?

So the elderly nurse knitted over the sleeping baby in Regent’s Park. So Peter Walsh snored.

He woke with extreme suddenness, saying to himself, “The death of the soul.”

“Lord, Lord!” he said to himself out loud, stretching and opening his eyes. “The death of the soul.” The words attached themselves to some scene, to some room, to some past he had been dreaming of. It became clearer; the scene, the room, the past he had been dreaming of.

It was at Bourton that summer, early in the ‘nineties, when he was so passionately in love with Clarissa. Clarissa There were a great many people there, laughing and talking, sitting round a table after tea and the room was bathed in yellow light and full of cigarette smoke. They were talking about a man who had married his housemaid, one of the neighbouring squires, he had forgotten his name. He had married his housemaid, and she had been brought to Bourton to call—an awful visit it had been. She was absurdly over-dressed, “like a cockatoo,” Clarissa had said, imitating her, and she never stopped talking. On and on she went, on and on. Clarissa imitated her. Then somebody said—Sally Seton it was—did it make any real difference to one’s feelings to know that before they’d married she had had a baby? (In those days, in mixed company, it it was a bold thing to say.) He could see Clarissa now, turning bright pink; somehow contracting; and saying, “Oh, I shall never be able to speak to her again!” Whereupon the whole party sitting round the tea-table seemed to wobble. It was very uncomfortable.

But my fixed idea of reaching Leatherhead would not let me rest, and in the twilight I ventured out again. I went through a shrubbery, and along a passage beside a big house standing in its own grounds, and so emerged upon the road towards Kew. The curate I left in the shed, but he came hurrying after me.

That second start was the most foolhardy thing I ever did. For it was manifest the Martians were about us. No sooner had the curate curate overtaken me than we saw either the fighting- machine we had seen before or another, far away across the meadows in the direction of Kew Lodge. Four or five little black figures hurried before it across the green-grey of the field, and in a moment it was evident this Martian pursued them. In three strides he was among them, and they ran radiating from his feet in all directions. He used no Heat-Ray to destroy them, but picked them up one by one. Apparently he tossed them into the great metallic carrier which projected behind him, much as a workman's basket hangs over his shoulder.

It was the first time I realised that the Martians might have any other purpose than destruction with defeated humanity. We stood for a moment petrified, then turned and fled through a gate behind us into a walled garden, fell into, rather than found, a fortunate ditch, and lay there, scarce daring to whisper to each other until the stars were out.

I suppose it was nearly eleven o'clock before we gathered courage to start again, no longer venturing into the road, but sneaking along hedgerows and through plantations, and watching keenly through the darkness, he on the right and I on the left, for the Martians, who seemed to be all about us. In one place we blundered upon a scorched and blackened area, now cooling and ashen, and a number of scattered dead bodies of men, burned horribly about the heads and trunks but with their legs and boots mostly intact; and of dead horses, fifty feet, perhaps, behind a line of four ripped guns and smashed gun carriages.

Sheen, it seemed, had escaped destruction, but the place was silent and deserted. Here we happened on no dead, though the night was too dark for us to see into the side roads of the place. In Sheen my companion suddenly com- plained of faintness and thirst, and we decided to try one of the houses.

The first house we entered, after a little difficulty with the window, was a small semi-detached villa, and I found nothing eatable left in the place but some mouldy cheese. There was, however, water to drink; and I took a hatchet, which promised to be useful in our next house- breaking.

We then crossed to a place where the road turns towards Mortlake. Here there stood a white house within a walled garden, and in the pantry of this domicile we found a store of food--two loaves of bread in a pan, an uncooked steak, and the half of a ham. I give this catalogue so precisely because, as it happened, we were destined to subsist upon this store for the next fortnight. Bottled beer stood under a shelf, and there were two bags of haricot beans and some limp lettuces. This pantry opened into a kind of wash-up kitchen, and in this was firewood; there was also a cupboard, in which we found nearly a dozen of burgundy, tinned soups and salmon, and two tins of biscuits.